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In amongst the glitter and the squashed blueberries: Crafting a collaborative lens for children’s literacy pedagogy in a community setting

机译:在闪光和压扁的蓝莓中:在社区环境中为儿童的识字教学法制作一个协作镜头

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摘要

In this article, we bring together relational arts practice (Kester, 2004) with collaborative ethnography (Campbell and Lassiter, 2015) in order to propose art not as a way of teaching children literacy, but as a lens to enable researchers and practitioners to view children’s literacies differently. Both relational arts practice and collaborative ethnography decentre researcher/artist expertise, providing an understanding that “knowing” is embodied, material and tacit (Ingold, 2013). This has led us to extend understandings of multimodal literacy to stress the embodied and situated nature of meaning making, viewed through a collaborative lens (Hackett, 2014a; Heydon and Rowsell, 2015; Kuby et al, 2015; Pahl and Pool, 2011). We illustrate this approach to researching literacy pedagogy by offering a series of “little” (Olsson, 2013) moments of place/body memory (Somerville, 2013), which emerged from our collaborative dialogic research at a series of den building events for families and their young children. Within our study, an arts practice lens offered a more situated, and entwined way of working that led to joint and blurred outcomes in relation to literacy pedagogy.
机译:在本文中,我们将关系艺术实践(Kester,2004年)与协作人种学(Campbell and Lassiter,2015年)结合在一起,以期提出艺术不是作为教授儿童识字的一种方式,而是作为使研究人员和实践者能够看到的镜头儿童的读写能力有所不同。关系艺术实践和民族志协作研究人员/艺术家的专长,使人们了解“了解”是体现的,物质的和默契的(Ingold,2013年)。通过协作的视角,这使我们扩展了对多模态扫盲的理解,以强调意义创造的体现性和定位性(Hackett,2014a; Heydon and Rowsell,2015; Kuby et al,2015; Pahl and Pool,2011)。我们通过提供一系列的“小”(Olsson,2013年)的位置/身体记忆时刻(Somerville,2013年)来说明这种研究识字教育学的方法,这些时刻来自于我们在一系列针对家庭和儿童的窝房建设活动中的对话研究。他们的小孩子。在我们的研究中,一个艺术实践镜头提供了一种更局限,更纠结的工作方式,导致与识字教育学相关的共同和模糊的结果。

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